HAWAII 1941

THE PHOTOGRAPHY OF COLONEL JOSEPH CONDON

My Grandfather, Col. Joseph Condon was born in 1915.  He began his military career in the United Army Air Core, which later became the US Air Force, serving in WWII and then eventually in the Korean War.  He had passed by the time I was twelve, and while I have my fond childhood memories of him, my only knowledge of his service was through the few insights my mother had gleaned from him over the years.  Both my Grandparents on my mother’s side were first generation Irish American.  

In 1940-41, a 25 year old Lt. Condon was stationed in Hawaii. I don’t know a lot of details, but I have been sitting on a reel of vibrant, 35mm slides that he photographed while he was there.  The images are a time portal.  With the look of old technicolor movies, he captured everything from luau’s to local fishermen, to lava flows.  Beyond the time capsule of documentation, many of the photographs are each beautiful images in their own right.  Over the years, I’ve gone through phases of scanning a few, testing capture with a digital camera and a macro lens, etc.  I never really hunkered down and figured everything out until recently.  

It’s an honor to be able to make them available to the public.

Hawaii 1941

Hawaii - 1941 - Flowers
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Hawaii - 1941 - Girl Dancing at Luau
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Hawaii - 1941 - Dancer at Luau
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Hawaii - 1941 - Harbor Sunset
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Hawaii - 1941 - Breakers
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Hawaii - 1941 - Beach Boys
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Hawaii - 1941 - Officers on Deck
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Hawaii - 1941 - Fisherman and Family
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Hawaii - 1941 - Dockworkers
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Hawaii - 1941 - Fishing Boats on a River
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Hawaii - 1941 - Hillside Village
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Hawaii - 1941 - Cars Through Fields
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Hawaii - 1941 - Coconut Tree
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Hawaii - 1941 - Young Girl at Luau
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Hawaii - 1941 - Aloha Tower
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Hawaii - 1941 - Fisherman and Boat
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Hawaii 1941 - Hawaiian Islands
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Waiting at the Dock - Hawaii - 1941
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There is apparently a real trick to balancing the grain structure of the 35mm negative, and the resolution of the scan.  Higher is not better. 

While my scanner can do 9600dpi, after lots of testing and research, I found that 4000dpi was the sweet spot that matched the grain structure of the negative, and this was where the images finally took on the detail and crispness that I could see in the loop.  The higher res scans were coming out soft.  Same thing happening when I tried capturing with a 50megapixel still camera and a macro lens.  The images were soft.  On a previous attempt capturing with a 24 megapixel camera, the images were far sharper.  Same reason. 

Learn something new every day.